Scars and Candy - Tales of Terror and Dark Mystery

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In some cases, the performers are presented as innocents functioning perfectly within a world they have built for themselves. Yet the final revenge scenes twist those feelings, displaying the monstrous behavior of which they are capable in response to a threat from someone outside their group. It's a searing portrait of the humanity within all of us at its best and its worst. The Mummy He then hunts down the reincarnation of his lost love.

The Invisible Man The film opens with a mysterious stranger, his face swathed in bandages and his eyes obscured by dark spectacles, taking a room at an inn at the English village of Iping, in Sussex. Never leaving his quarters, the stranger demands that the staff leave him completely alone. However, his dark secret is slowly revealed to his suspicious landlady and the villagers: he is an invisible man. When the innkeeper and his semi-hysterical wife tell him to leave after he makes a huge mess in the parlor and drives away the other patrons, he tears off the bandages, laughing maniacally, and throws the innkeeper down the stairs.

Tales of Terror: Art of Horror Walkthrough

He takes off the rest of his clothes, rendering himself completely invisible, and tries to strangle a police officer. Bride of Frankenstein The macabre, satirical film is generally considered one of the greatest horror sequels of all time - a spectacular, bizarre, high-camp, excessive, humorous, farcical and surrealistic film.

The film opens with Mary Shelley saying, to a recumbent Lord Byron and her husband, that she's not quite done with the whole monster deal after all—there's more to tell! Son of Frankenstein Wolf is the son of Victor Frankenstein, who created the monster in the previous James Whale film. Wolf soon meets Ygor, who has survived the villagers' attempt to hang him despite having a broken neck. Ygor demands Wolf revive the monster. Once the monster is revived, Ygor uses a flute type instrument to control him, committing multiple murders.

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The Wolf Man Putting together, pentagrams, silver bullets and the full moon to create a robust myth to establish a new set of cinematic rules which Hollywood lycanthropes would adhere to for decades. Now bitten, Talbot is cursed to suffer the torments of the beast whenever the moon is full. The Creature of the Black Lagoon Tranquilized, captured, and brought aboard, the creature still manages to revive and escape — slaughtering several members of the team — and abducts their sole female member, spiriting her off to his mist-shrouded lair. Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace.

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  6. The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons. Invasion of the Body Snatchers When it opens it reveals a half-formed human figure in the exact likeness of Jack himself. Eventually it is found that there are many of these pods around town and that they represent an alien invasion of Earth. The pods adopt the appearance of people, then replace or incorporate them while the victims are asleep. Suffice to say, that it left an unsettling impression amongst viewers at the time of its release.

    Eyes Without A Face In it, Doctor Genessier lures innocent young women to his mansion in an effort to cut off the current victim's face and fasten it onto that of his daughter, who suffered face-ruining burns from a car accident. And one scene in particular, a grisly and methodical face-removal sequence uncommon for its time, is one of horror's great try-not-to-look-away moments.

    The film is done in a sober, muted style, with stark black and whites and the bizarre camera angles much loved by film noir. Psycho Here, Hitchcock breaks every single rule of horror cinema, and reshapes the film in his own image. But when it comes to Hitchcock, horror and suspense, everything is left up in the air.

    There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this movie. The Innocents But — as is the way with creepy horror-film kids — they soon turn demonic and troubled.

    The first intimation of this arrives when it transpires that Miles has been expelled from school; this is compounded by the children's odd behavior, apparent secrets and reports of strange visions. Even the camera shots of the apparitions or "ghosts" in the open air and broad daylight have a startling and chilling quality.

    Carnival of Souls When a young woman survives a drag race accident, she agrees to take a job as a church organist in Salt Lake City. En route, she is haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. You can thank the cinematography, which p rovides an unsettling surreal and otherworldly feeling for viewers alike — one-part dream, one part nightmare. The Birds The master of suspense reigns supreme once more. The story begins after wealthy Melanie Daniels purchases some lovebirds in a pet shop in San Francisco, only for her to notice the curious behavior of the birds in the Northern California area.

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    At first, it's no more than a sea gull swooping down and pecking at Melanie's head. But things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.

    Only three years after shaking and reshaping the rules of horror cinema with Psycho , Hitchcock gave us the equally entertaining and sub-textually subversive avian thriller, The Birds. To this day, that scene ranks as one of the most horrifying sequences in cinematic history.

    The Haunting The Haunting is essentially the story of Eleanor Lance — a lonely middle-aged woman being slowly devoured by her groaning, undulating surroundings. Although it's technically a ghost story, ghosts aren't what will spook you within this movie. Roman Polanski's first American Hollywood feature was an adaptation of Ira Levin's bestseller, and its success launched a trend for devil-baby, evil-kiddy and satanic pregnancy movies that extended well into the 70s.

    Despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets.

    Shortly after Guy lands a Broadway role, Rosemary becomes pregnant and the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The best thing about this movie, is that Polanski builds the terror by degrees. Like the frog in the slowly boiling pot of water, you don't know it's too late until you're already doomed. Night of the Living Dead Well, just as Johnny said they would, they definitely got Barbara.

    In George A. The film effectively invented the modern zombie movie, inspiring countless imitations and five Romero-directed sequels.

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    The Wicker Man When a righteous police officer investigates the disappearance of a young girl, he comes into conflict with the unusual residents of a secluded Scottish isle. Brought to the island of Summerisle by an anonymous letter, the constable is surprised to discover that the island's population suspiciously denies the missing girl's very existence.

    Even more shocking, the island is ruled by a libertarian society organized around pagan rituals. The officer's unease intensifies as he continues his investigation, slowly coming to fear that the girl's disappearance may be linked in a particularly horrifying manner to an upcoming public festival.

    One of the sisters claims to be a psychic and says that she foresees their child talking to them from beyond the grave. The two then begin to see strange images throughout the twisty streets of Venice. There are many flashbacks and flash-forwards, along with nightmarish inter-cut sequences. The Exorcist Upon its initial release in , the film caused quite a scathing response.

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    Reports of fainting, heart attacks, miscarriages, and no end of vomiting was fulled by the hysteria of this movie. Some viewers were submitted to psychiatric care after their screenings, while deaths or suicides near to a screening of the film were attributed to its unholy influence over the viewer. Murderers blamed the film for taking them over, and West Germany propelled the hysteria further when they banned the picture from cinemas. All the worse, it will make you believe that possession could happen to anyone at anytime.

    The Texas Chainsaw Massacre In other words, the camerawork for this movie is genius. When a sister and her brother take a group of friends to visit the farmhouse of their deceased grandfather, they discover that just next door lives a whole family of repugnant psycho killers.

    ‘Scary Stories to Tell in the Dark’ Offers Up a New Genre: Horror for Kids

    And while there are some shots in the film that are hard to watch, it is hands down one of the few horror movies that has the best cinematography. Especially that final scene. Jaws Young director Steven Spielberg took what was classic B-movie fare big shark chews up skinny-dipping teenagers who scream a lot and turned out a masterclass in suspense.